Rock and Roll Hall of Fame member Todd Rundgren called Kanye West a “Dilettante shoe designer” who ate his lunch by Drake

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(DUKE) – “I’m one of the few artists not on Kanye’s album,” Rundgren told UCR. He even says he went out of his way to make himself available for the sessions. “I have three Kanye Rod albums on my computer. Because I kept getting called out by Kanye to add vocals to the record. When he entered the home stretch in July, I had just said, “That’s enough for me. I have no idea if all of this is used.

Still, he’s not sure for sure if any of his contributions might be buried in the final mixes. “There is a possibility that I am actually somewhere in there. There is so much garbage in this record!”

Rundgren says he finally realized that West is “a shoe designer.… He’s just a dilettante at this point. No one would regularly make records like that unless they had the money. stupid to spend. Nobody rents a stadium to do a record. Nobody steals the whole hip-hop world just to croak a syllable, just so you can tell everyone was on it.

“My involvement lasted for a year, and in the end I understood why they packed it all in a hurry and released what is obviously really raw, unprocessed stuff. It’s because Drake was running everything. process. He was too scared that Drake would outdo him, so he hurried and released the album on the weekend before Drake could release his. And in the end, Drake still ate his lunch. “

The endless talk about “Donda” and “Certified Lover Boy” continues to revolve! I love that sweet, sweet talk, baby. Oh damn, yeah. I love it when two industry titans fall in a week and the conversation has little to do with music and everything to do with sour grapes.

That’s how this Rundgren blurb, Sour Grapes comes off, and given his personal memory of working with Ye, I don’t really blame him. Months and months of swapping work, instruments and vocals over and over with little to no feedback, only for the album to finally come out with no clue if you’re even on the damn thing. Yeah, I wouldn’t have a lot of nice things to say right now either. But one point he made that I feel pretty comfortable fighting is the idea that this project was completely rushed, stuffed with absurd features. Let’s focus on DONDA’s flagship track, “Hurricane” with The Weeknd and Lil Baby.

Here’s the original version Kanye teased and subsequently leaked three years ago:

And here is the official version of DONDA’s album:

It does not seem “rushed” to me. It sounds like a perfectly crafted song that took years to perfect. Now you want to point out how difficult it was to add Da Baby, Marilyn Manson, and D-Block fresh off their decisive victory at Verzuz, yes that really felt rushed. Are you in a rush to try and beat Drake? I can’t call him. It’s more than fair to say their beef has real meat on those bones given everything that has been played out publicly over the past few years. And it’s also fair to say that Drake can claim a win in the form of streaming numbers from Week 1, where Aubrey once again broke his own records. I don’t know, I feel like there’s a little more to music than streaming numbers. Maybe I’m a dinosaur who cares a little less about the first week’s streaming numbers than the music on the records themselves. CERTIFIED LOVER BOY is good at its familiarity with Drake’s other records, but I can’t see myself keeping more than a handful of tracks spinning over days, weeks, and months.

I remember 14 years ago, Rolling stone had Kanye and 50 Cent on the cover because they were scheduled to fight on September 11, 2007, with CURTIS taking on GRADUATION one-on-one. The speech that unfolded over the following weeks had little to do with album sales. It happened, of course, but Kanye won this battle decisively on wax, not the charts. CURTIS stank, simple and clear. Even with massive, chart-topping singles like “Ayo Technology” and “I Get Money,” the album fell far short of its first two tracks. GRADUATION was a special record that still makes laps back and forth to this day. CERTIFIED LOVER BOY definitely grabbed the attention of the masses from the get-go. But if we want to know who ate whose lunch, then Lupe Fiasco and Freddie Gibbs entered the conversation – as they both smoked Drake’s instrumental “Champagne Poetry”.

This happens quite frequently to Drake, and it’s kind of a merit to him. He triggers it, it happened with “0 to 100”, it happened with “Pound Cake”, it happened his whole career. This is where he presents himself more as a curator vibe than an artist with real depth. He released a track with a perfect instrument for other more skilled artists, and in the long run, that only worsened the popularity of his song by giving the instrument more life and a longer track in the public eye. . But, if we’re talking about bars, artistry, rap, Drake ate his lunch. This is why it seems short-sighted to me to focus on feeds, sales, and popularity when these wins can take years to be clear. The fact that we even compare a gospel record to a pop album seems like a big deal that is often overlooked in these debates, but I guess time will tell. Drake wins the first few laps without breaking a sweat. Even his flashbacks in this battle work in his favor.


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